Shure Beta 91A Condenser Boundary Microphone

Excels in Every Low-frequency Situation

\Thanks to its ultra-powerful low-end response, the Shure Beta 91A excels in every low-frequency situation. While kick drums are the obvious application, that’s not all this boundary condenser microphone can do. It’s also an effective way to capture pianos or any other bass-intensive source you can think of. Benefit from maximum gain before feedback, by virtue of a custom-tailored half-cardioid polar pattern, while impressive SPL handling effortlessly tackles extra-loud sources. A high-quality mic capsule design and integrated preamp yield superior attack and punch for studio-quality sound reproduction. The Beta 91A includes a 2-position contour switch to maximize clarity, as well as a low-profile design that enables it to fit anywhere.

Tailored frequency response offers high-quality low-frequency sound reproduction

\The Beta 91A’s tailored frequency response makes it a top choice for loud, bass-heavy sources. Its uniform half-cardioid design all but rejects feedback, while supplying superior off-axis rejection. Its wide dynamic range ensures that it performs admirably in high-SPL environments. This boundary condenser mic has excelled in every situation we’ve encountered kick drums and pianos in particular.

Intelligent design reduces stage clutter and resists abuse

\Ask any live sound tech, and they’ll tell you — stage clutter is a serious thorn in their side. That’s one of the reasons why the Shure Beta 91A is a top choice amongst engineers. Its integrated preamp and XLR connector reduce stage clutter and ensure a quick, secure setup. Beyond that, its low-profile design requires no external mounting hardware and takes up little space. It’s also near bulletproof, thanks to its steel grille and die-cast metal construction.

Shure Beta 91A Kick Drum Microphone Features:

• Boundary condenser microphone for low-frequency sources
• Tailored frequency response makes bass-heavy sources sound amazing
• Custom-tailored half-cardioid polar pattern rejects feedback and supplies superior off-axis rejection
• Impressive SPL handling effortlessly tackles extra-loud sources
• 2-position contour switch filters your low-frequency response for added clarity and attack
• integrated preamp and XLR connector reduce stage clutter and ensure a quick, secure setup
• Low-profile design requires no external mounting hardware and takes up little space
• Extra-durable steel grille and die-cast metal construction